Night Train

Night Train

Night Train

 

ni

Story outline

 

© By Simon B. Palmer

 

Draft 29.09.2007

 

 

 

 

 

 

 

 

 

 

 

 

Simon Palmer                                                                                      Katja Ohneck

+43 65 05 55 12 14                                                                              Hauptstr. 7

21514 Hornbek

+49 4158 88 86 63

+49 170 58 44 27 6

 

 

 

Black mail is a dirty game. It doesn’t get dirtier than this.

 

Night Train

 

By Simon B. Palmer

 

 

1. INT. APARTMENT BUILDING IN COLOGNE-BEDROOM- MORNING.

 

 

YOU SEE SOMEBODY WEARING A SLEEPING MASK; YOU CAN NOT TELL BY THE CAMERA, IF IT IS SOMEBODY SITTING IN A TRAIN, AIRPLANE OR SLEEPING IN THE BED:

 

OUTSIDE WE HAVE A LIGHTING THUNDERSTORM; FLASHES REFLECT ON HIS FACE:

CUT TO A TRAIN CHASING THROUGH THE THUNDERSTORM IN THE DARK NIGHT:

THE CAMERA TURNS AND PANS UP AND YOU LOOK RIGHT IN:

 

HIS BEDROOM IS VERY TIDY AND THE MAN IS SLEEPING SLIGHTLY CURLED UP LIKE A CHILD WOULD SLEEP. AROUND THE ROOM WE SEE LOT’S OF ORNAMANETS. THIS WOULD NOT BE DESCRIBED AS A TYPICAL MAN’S BED ROOM. HE ALSO HAS A TEDDY BEAR ON THE BED.

AN ALARM CLOCK WAKES HIM.

HE SEEMS A LITTLE EXCITED TO START A NEW DAY AND QUICKLY RISES.

CUT TO:

2. INT. APARTMENT BUILDING IN COLOGNE-BATHROOM-MORNING.

 

THIS IS A VERY TIDY BATHROOM WITH THE TOWELS FOLDING NICELY AND EVEN THE TOILET PAPER ON THE HOLDER IS FOLDED AS YOU WOULD EXCEPT TO SEE AT A GOOD HOTEL. ALL OF THE TOILETRIES ARE ARRANGED PERFECTLY AROUND THE SINK. HE OBVIOUSLY OWNS TO MANY COSMETIC PRODUCTS.

SIMON IS GROOMING HIMSELF VERY CAREFULLY, CHECKING CONSTANTLY IN THE MIRROR. HIS APPEARANCE IS OBVIOUSLY VERY IMPORTANT TO HIM. THE BATHROOM IS ALSO A LITTLE FEMININ AND NOT A TYPICAL MAN’S BATHROOM. HE IS AN ATTRACTIVE MAN OF MEDIUM BUILD IN HIS LATE THIRTIES.

 

 

 

3. INT. APARTMENT BUILDING IN COLOGNE-MORNING.

SIMON IS NOW FULLY DRESSED AND SAT IN HIS TIDY LIVING ROOM FLICKING THROUGH THE CHANNELS ON HIS SMALL TELEVISION. HE FLICKS REPEATILY AS NOT TO BE TOO CONCERNED ABOUT WHAT HE IS WATCHING. HE LOOKS A LITTLE BORED.

CUT TO:

 

4. INT. OFFICE BUILDING IN COLOGNE-DAY.

 

THIS IS LATER IN THE DAY. WE SEE SIMON IN A VERY TIDY OFFICE.

HE SITS BEHIND HIS DESK TAPPING A PENCIL ON SOME PAPERWORK. HE LOOKS LIKE HE IS IN SOME SORT OF A DAZE AS HE STARES OUT OF THE WINDOW.

 

5. INT. EROTIC LOOKING BEDROOM IN ZURICH-DAY.

 

THIS BEDROOM IS WITHIN A SPECTACULAR LOOKING CASTLE LIKE BUILDING CALLED ANGELS. THERE ARE USUALY MANY LIGHTS OUTSIDE THIS BUILDING LIGHTING IT UP, BUT CURRENTLY THE LIGHTS ARE TURNED OFF, SHOWING US THIS ESTABLISHMENT IS CLOSED.

 

THE CAMERA PANS UP THE CASTLE AND THROUGH A WINDOW TO SEE A SCENCE OF EROTICA. A GOOD LOOKING MAN IS BEING PLEASURED BY A BEAUTIFUL SLENDER GIRL, WITH LONG GOLDEN BLONDE HAIR HANGING DOWN OVER HER SMOOTH TANNED BODY. SHE IS PLEASURING HIM WITH A STRAP ON DILDO, FASTENED TIGHLY AROUND HER WAIST. HIS HANDS ARE TIED BEHIND HIS BACK AND THE MAN IS GAGGED, BUT CLEARLY ENJOYING THIS ACT. THIS IS PROBABLY ONE OF HIS MANY FANTACIES.

WE ALSO SEE VARIOUS SEX TOYS AROUND THE ROOM, INCLUDING SOME CIGAR SHAPED VIBARATORS. THERE ARE ALSO LARGE CANDLES AROUND THE ROOM AND NEXT TO THE BED. IT LOOKS LIKE THERE MAY HAVE BEEN SOME WAX DOMINATION GAMES.WE CAN ASSUME THIS IS SOME KIND OF EXTRAVAGANT BROTHEL.

THE GIRL IS A BEAUTIFUL SLENDER BLONDE WITH HER HAIR HANGING DOWN. SHE IS WEARING ONLY THE STRAP ON, WHILE THE MAN IS NAKED. SHE LOOKS YOUNG BUT EXPERIENCED.

SHE MOVES WITH EXTREME GRACE AND A HIDDEN DIGNITY. SHE IS PROFFESSIONAL AND TAKES THIS ROLE VERY SERIOUSLY.

THE MAN IS A TIDY PROFFESSIONAL MAN IN HIS LATE FORTIES AND LOOKS CONTENT IN THIS UNUSUAL PREDICIMENT.

6. EXT. COUNTRY ROAD-DAY.

 

THIS IS A QUIET COUNTRY ROAD. WE CAN HEAR THE SOUNDS OF NATURE AND THE WIND WHISTLING THROUGH THE TREES.

PAUSE.

WE THEN HEAR A ROARING NOISE GETTING LOUDER AND LOUDER.

AND THEN IN THE DISTANCE WE SEE A MASS OF MOTORBIKES HUMMING UP THE ROAD. THE NOISE BECOMES LOUDER AND LOUDER AS THIS COUNTRY ROAD IS TAKEN OVER BY A MASS OF MOTORBIKES HUDDLED

TOGETHER AS IF THEY OWN THE WORLD. THEY SPEED PAST THE CAMERA QUICKLY AND WE SEE A DUST TRAIL LEFT BEHIND.

7. INT. LARGE HOUSE – DAY.

 

THIS IS A LARGE JEWISH HOUSE WITH BEAUTIFUL DÉCOR. WE SEE THE JEWISH NAIL SYMBLE OUTSIDE THE FRONT DOOR. A MAN IS STANDING AT THE DOOR AS THE DOOR OPENS. HE IS LEAD THROUGH A LARGE EXTRAVAGANT HOUSE AND UPSTAIRS TO WAIT ON A WHITE LEATHER SOFA OUTSIDE ANOTHER ROOM. THE MAN LEADING HIM DISSAPEARS INTO A ROOM.

PAUSE.

THE MAN ON THE SOFA WAITS A MOMENT.

THE LARGE MAN APPEARS.

LARGE MAN

 

He’ll see you now.

THE YOUNG MAN STANDS AND FOLLOWS THE LARGER MAN INTO THE ROOM.

8. INT. LARGE ROOM THAT IS BEING USED AN OFFICE.

 

THERE IS VERY UNUSUAL JEWISH STYLE DÉCOR IN HERE, BUT AN ESSENCE OF JUDISM TASTEFULLY DISPLACED AROUND THE ROOM. THE YOUNG MAN STANDS INFRONT OF A VERY STRONG LOOKING FIGURE. HE LOOKS LIKE A LEADER AND STANDS WITH SUCH PRESENCE OF EXPERIENCE AND CONFIDENCE.

RUBEN

(WELL SPOKEN)

Geva, sit, please sit.

GEVA OFFERS HIS HAND AND DOES NOT RECEIVE THE HAND OF RUBEN, SO RETRACTS HIS HAND QUICKLY AND SITS.

I have a little job for you Geva. Nice and easy, very simple.

GEVA

Yes Sir.

RUBEN

Learn to listen Geva, it will serve you well in the future.

GEVA SITS BACK AND LISTENS INTENTLY. HE IS NOT TOO THREATENED BY RUBEN, BUT HAS REPECT NONE THE LESS.

RUBEN PULLS IN HIS CHAIR.

CUT TO:

9. INT. OFFICE BUILDING- DAY

 

THIS IS A BUSY LOOKING OFFICE. SIMON SITS BEHIND A CLUTTERED DESK ON THE PHONE. HE IS CASUALLY TALKING TO A BUSINESS ASSOCIATE ON THE PHONE. A YOUNG, SEXUAL,  SEXY LOOKING SECRETARY ENTERS THE OFFICE WITHOUT KNOCKING. SHE MAKES EYE CONTACT WITH SIMON AND POINTS TO HER WATCH.

SIMON

(ON THE PHONE)

 

Thank you Cliff. Must run now. Have that trip to Paris. But thanks, will definatley get back to you on that. Thanks, thanks, ok…..bye.

SIMON HANGS UP THE PHONE.  HE LOOKS AT HIS SECRETARY.

LOIS

 

Five minutes, Simon

SIMON

 

Right, briefcase packed?

LOIS PULLS A SEXY SEDUCTIVE SMILE. SIMON DOES NOT RESPOND.

            LOIS                                                                                                                                      

                                        (She hands him her beauty case, very used)

Of course, since you still don´ t buy a new briefcase, I lend you last time mine.

CUT TO;

 

10. INT. APARTMENT BUILDING- DAY

 

BACK AT THE BROTHEL. THE SEXUAL ACTS ARE NOW OVER. THE BLONDE IS DRESSED IN AN ELEGANT WHITE DRESS AND THE CUSTOMER IS IN A

VERY EXPENSIVE LOOKING SUIT. HE TIDIES HIS HAIR IN THE MIRROR AS THE MISTRESS TIDIES SOME OF THE SEX TOYS IN HER DRESS AND HIGH HEELS. AS SHE BENDS TO PICK UP THE TOYS WE CATCH A GLIMPSE OF HER FIRM BODY THROUGH A SLIT IN THE ELEGANT WHITE DRESS. SHE IS BEAUTIFUL IN A VERY CLASSIC WAY.

SHE CAREFULLY PLACES THE CIGAR LOOKING DILDOS INTO WHAT LOOKS TOO BE  A CIGAR CASE. HE FINISHES HIS HAIR IN THE MIRROR, STRAIGHTENS HIS TIE, REACHES FOR HIS WALLET AND LAYS 1000 EUROS ON THE SIDE TABLE. HE TURNS, WAVES AT THE BLONDE AND WITHOUT MAKING EYE CONTACT, EXITS. SHE PAYS NO ATTENTION TO HIM EITHER,

THERE IS NO RESPECT LOST FROM EITHER PARTY.

SHE LOOKS AT THE MONEY, BUT IS NOT INTERESTED TO TAKE IT. SHE WAITS A COUPLE OF MINUTES, CHECKS THE WINDOW TO SEE HIM LEAVING, THEN TURNS AND OPENS A LARGE SWING MIRROR TO REVEAL A HIDDEN CAMERA. SHE THEN OPENS A CUPBOARD REVEALING A

DVD UNIT.

SHE OPENS THE DVD TRAY AND TAKES OUT A DISC. SHE THEN OPENS A CUPBOARD TO A DESK, PULLING OUT A LAPTOP. SHE OPENS THE LAPTOP,TURNS IT ON, SITS AT DESK, PULLING UP HER DRESS GIVING HER ACCESS TO SIT, REVEALING A GLIMPSE OF TWO LONG SLENDER, SMOOTH, BEAUTIFUL LEGS.

SHE PUTS THE DVD INTO THE LAPTOP. WE HEAR THE SEXUAL EPIDSODE AS SHE PLAYS THE DVD. WE SEE A CLOSEUP OF THE MAN’S FACE AS HE IS BEING PLEASURED BY HER. SHE THEN CLOSES THE LAPTOP, STANDS AND EXITS.

 

11. EXT. APARTMENT BUILDING- DAY.

 

THIS IS OUTSIDE THE BROTHEL. THE SMART LOOKING MAN STANDS WAITNG AS A LIMMO PULLS UP BESIDE HIM.

HE CLIMBS INTO THE LIMMO ASSISTED BY A LARGE MAN WHO RESEMBLES A BODYGUARD AND IS DRIVEN AWAY FROM THE BROFFLE.

PAUSE.

AS THE CAR CONTINUES DOWN THE ROAD, A HERD OF MOTORCYLES TAKES OVER THE ROAD. THE CAR GRINDS TO A HALT AS THE MOTORCYCLE GANG HAVE TAKEN OVER THE ROAD. THE MAN IN THE BACK IS READING THROUGH HIS DIARY AND IS NOT DISTURBED BY THIS INTERUPTION. THE DRIVER STROKES HIS GUN HE IS WEARING AS THE GANG PASS.

THE MOTORCYLE GANG PASS AND THE LIMMO CONTINUES TO DRIVE AWAY.

 

12. EXT. ANGEL CLUB-DAY.

 

THE MOTORCYLE GANG CONSISITING OF ABOUT TWENTY BIKES, PARK UP OUTSIDE THE BROTHEL. THIS TAKES UP THE WHOLE ROAD AND CAUSES TRAFFIC TO HAVE TO TAKE A DETOUR. NOBODY COMPLAINS.

ONE OF THE GANG, CLEARLEY THE LEADER ENTERS THE BROTHEL ALONE.

13. INT. APARTMENT BUILDING-DAY.

 

ANGEL IS A STRONG CONFIDENT LOOKING MAN IS IN HIS LATE FORTIES.

HE HAS SOME MARKS ON HIS FACE SIGNIFYING SOME ALCOHOL OR DRUG ABUSE AND SOME SMALL SCARS OF PAST BATTLES AND ALTACATIONS.

ANGEL, THE LEADER OF THE MOTORCYLE GANG IS LEAD INTO A LOUNGE AREA TO MEET ELIISE, THE TALL SLENDER BLONDE WHO JUST FINISHED WITH HER LAST CUSTOMER. SHE IS NOW WEARING MORE CASUAL, BUT ELEGANT ATIRE AND IS SMOKING A LONG FEMMININ LOOKING CIGARETTE. SHE LOOKS ANGEL UP AND DOWN AS HE SITS. SHE IS NOT INTIMIDATED BY HIM, BUT THERE ARE SOME PAST EMOTIONS LINGERING FROM HIM.

ANGEL

 

You got the disc?

SHE SMILES AT ANGEL AND LOOKS OVER AT THE LAPTOP.

ANGEL REACHES TO TAKE IT, BUT SHE PULLS IT AWAY.

ELISE

After this, you and me, we’re through. No more payments?

ANGEL

You have my word, the club will be yours. I will sign the papers tomorrow.

ANGEL LOOKS AT THE COMPUTER. ELISE OPENS THE COMPUTER, TURNS IT ON, SWINGS IT AROUND AND ANGEL WATCHES AS SCENES OF A SEXUAL NATURE ARE DISPLAYED. ANGEL CONTENT, CLOSES THE LAPTOP.

ELISE IS NOT EMBARRESSED ANGEL IS WATCHING AN EXPICIT VIDEO OF HER. HE’S SEEN IT ALL BEFORE. BUT THERE IS A LITTLE JEALOUSLY IN THE AIR.

ELISE LOOKS AWAY, AS SHE HAS NOTHING MORE TO SAY.

PAUSE.

ANGEL  gives the disc a kiss and says loud, I am giving you the name “ Pepper 6 “. Bring me luck. He returns the disc to Elise. Elise throughs her make up out of the beauty case and  puts THE LAPTOP into the box

 

ELISE

(ANGRY)

 

Destroy this man, people who wants to hurt me have to suffer.

ANGEL

Don’t worry baby, this will.

ELISE

(ANNOYED)

You don’t have the right to call me that. Not anymore.

PAUSE.

ANGEL TAKES THE LAPTOP AND EXITS.

 

CUT TO:

 

 

 

 

14. INT. TRAIN STATION, ZURICH-EVENING.

 

WE SEE A BUSY TRAIN ARRIVING AT ZURICH. AS THE TRAIN ARRIVES AT THE PLATRORM, PEOPLE ARE ALREADY HANGING OUT OF THE TRAIN AND ARE IN A BIG RUSH TO GET OFF.

SIMON CLIMBS OFF THE TRAIN CARRYING ONLY A BRIEFCASE AND WALKS ALONG THE PLATFORM.

HE CHECKS THE BOARD FOR HIS CONNECTING TRAIN TO PARIS AND THEN HEADS TOWARDS A CAFÉ. In behind you can hear a voice, who says that this train has a delay.

 

CUT TO:

15. EXT. TRAIN STATION CAFE-EVENING.

 

SIMON IS SAT AT A CAFÉ IN THE TRAIN STATON. ANOTHER FAMILIAR FACE SITS NOT FAR BEHIND HIM. THIS IS GEVA OF THE JEWISH MAFIA.

16. EXT. TRAIN STATION- EVENING.

 

THE MOTORCYLE GANG ARRIVE AND PARK UP. AGAIN TAKING OVER THE PLACE. THE GANG ALL WALK THROUGH THE STATION WITH ANGEL CAUSING QUITE A STIR. ANGEL SEES THIS AND STOPS. HE FACES HIS PEOPLE.

ANGEL

 

Guy’s. I think I’ll do this one alone. You Guy’s get a coffee or something. I saw a Starbucks around the corner.

THE GANG ALL TURN BACK AND HEAD TOWARDS THE STARBUCKS.

ANGEL CONTINUES HOLDING THE COMPUTER IN AN OLD LOOKING RUCK SACK. HE LOOKS AT THE BAG AS HE ENTERS THE STATION.

 

 

17. INT. TRAIN STATION-CAFÉ-EVENING.

 

SIMON

 

SIMON CHECKS HIS WATCH AS HE IS WRITING INTO WHAT LOOKS TO BE A DIARY.

GEVA SITS QUIETLY AND CONSISTENTLY CHECKING THAT HIS BRIEF CASE IS THERE.

 

18. INT. TRAIN STATION-EVENING.

 

ANGEL EXITS A STAION SHOP WITH A NEW BRIEF CASE IN HAND. HE WALKS TOWARDS A CAFÉ TO SEE GEVA. GEVA MAKES EYE CONTACT WITH ANGEL.

ANGEL WALKS TOWARDS GEVA AND SITS WITH HIM.

A WAITRESS COMES OVER TO ANGEL TO TAKE HIS ORDER.

ANGEL

 

Black coffee. De caf.

ANGEL LOOKS AT GEVA AS GEVA IS OBSERVING ANGEL.

GEVA

 

The Lion sleeps tonight? “ Pepper 6 “

ANGEL

 

In the jungle the quiet Jungle.

NOW THE TWO MEN KNOW THEY ARE TALKING TO THE RIGHT PEOPLE.

You got the money?

 

GEVA

 

You got the Disc?

ANGEL

Yeah.

ANGEL TAPS THE BRIEF CASE.

GEVA IN TURN PULLS THE BRIEFCASE A LITTLE CLOSER.

19. INT. STARBUCKS COFFEE HOUSE-EVENING.

 

THE MOTORCYLE GANG HAVE TAKEN OVER THIS STARBUCKS CAFÉ AND ARE DRINKING EXTRAVAGANT COFFEE’S OF DIFFERENT FLAVORS AND VARITIES

 

20. EXT. OUTSIDE STARBUCKS COFFEE HOUSE-EVENING.

 

ONE OF THE MOTORCYLE GANG IS OUTSIDE SPEAKING ON HIS MOBILE PHONE.

JORDAN

 

Yeah, he’s making the switch now.

PAUSE.

No, I’m at Starbucks waiting.

PAUSE.

Sure…

PAUSE.

Ok, call you later, bye.

JORDAN CLOSES HIS MOBILE PHONE AND ENTERS THE STARBUCKS.

21. INT. APARTMENT BUILDING-EVENING.

 

ELISE CLOSES HER MOBILE PHONE. SHE IS DRESSED IN BLACK PROVOCATIVE LEATHER AND IS HOLDING A LONG BLACK WIP IN HER RIGHT HAND. SHE PLACES THE MOBILE ON THE TABLE AND ENTERS A ROOM.

 

22 .VARIETY

As Elise enters, we see a man wearing ladies clothes and putting makeup on his face. You can tell that he loves being a women.

 

22. INT. APARTMENT BUILDING-EVENING.

 

AS ELISE ENTERS, WE SEE A MAN HANGING FROM A CHAIN, FROM THE CEILING. HE IS TIED UP AND GAGGED. HE IS SHORT HAIRY MAN IN HIS LATE FORTIES AND HAS SOME RUGGED CHARM ABOUT HIM.

ELISE GLIDES GRACEFULLY AROUND THE ROOM AND WIPPS HIM HARD ON HIS BUM. HE LOOKS LIKE HE IS ENJOYING IT.

CUT TO;

23. INT. TRAIN STATION COFFEE HOUSE-EVENING.

 

Angel and Geva sit opposite each other checking each other out.

ANGEL

 

Is it all there?

GEVA

 

One Million Euros.

ANGEL

 

One hot movie, no Sequel.

GEVA PULLS A NAUGHTY SMILE.

 

THE WAITRESS ARRIVES WITH ANGEL’S COFFEE. SHE PLACES IT INFRONT OF ANGEL. ANGEL DOESN’T ACKNOWLEDGE HER.

ANGEL AND GEVA MAKE EYE CONTACT AND THEN SIMULATIOUSLY, EXCHANGE CASES. GEVA TAKES THE CASE, TAKES A FINAL SIP OF COFFEE AND STANDS. HE DOES NOT SAY GOOD BYE OR MAKE EYE CONTACT. THE MEN ARE VERY DIFFERENT AND DO NOT NEED TO EXCHANGE PLEASANTRIES.

GEVA GOES TO PAY. ANGEL LOOKS AT THE CASE INFRONT OF HIM AND SLIDES IT CLOSER TO HIM.

24. INT. COFFEE HOUSE PAYING COUNTER-EVENING.

SIMON IS STANDING AT THE COUNTER WAITING TO PAY. GEVA STANDS BEHIND HIM ALSO WAITING TO PAY.

SIMON HAS LAID HIS CASE DOWN TO PAY. HIS CASE IS NEXT TO GEVA’S CASE. SIMON PAYS AND PICKS UP A BRIEF CASE AND LEAVES. GEVA THEN PAYS, PICKS UP A BRIEF CASE AND LEAVES.

25. INT. ZURICH TRAIN STATION-EVENING.

 

SIMON CLIMBS ONTO A TRAIN WITH HIS BRIEF CASE AND QUICKLY FINDS A SEAT.

26. INT. ZURICH TRAIN STATION-EVENING.

 

GEVA ENTERS A PUBLIC TIOLET WITH HIS BRIEF CASE, OPENS THE CASE TO SEE A LAP TOP AND VARIOUS OTHER NIC NACS, A DIARY AND WHAT APPEARS TO BE A LUNCH. HE TAKES OUT THE COMPUTER. HE IS A LITTLE SURPRISED WITH THE NIC NACS, DIARY AND LUNCH, BUT OPENS THE COMPUTER AND TURNS IT ON.

 

27. INT. ZURICH TRAIN STATION CAFÉ-EVENING.

 

ANGEL IS DRINKING HIS COFFEE AND KEEPING A CLOSE EYE ON THE BRIEF CASE.

28. INT. ZURICH TRAIN STATION TOILET-EVENING.

 

GEVA TURNS ON THE COMPUTER AND LOADS THE DISC IN THE DRIVE.  HE FINDS SOME SORT OF PRESENTATION DATA. HE SKIPS THE DISC, BUT NO EROTIC MOVIE COMES UP. HE FLICKS THROUGH THE DIARY, BUT FINDS NOTHING OF INTEREST. HE CLOSES THE COMPUTER, CLOSES THE BRIEF CASE AND EXITS THE TOILET LOOKING FOR ANGEL.

29. INT. ZURICH TRAIN STATION-EVENING.

SIMON IS SITTING ON THE TRAIN COMFORTABLY WITH HIS BRIEF CASE. HE OPENS THE CASE ONLY TO SEE A COMPUTER.

SIMON

(TO HIMSELF)

 

Where’s my diary? Where’s my lunch?

SIMON CLOSES HIS BRIEF CASE, SIGHS AND SITS BACK. HE LOOKS FIRST ON THE GROUND AND THAN OUT OF THE WINDOW AS THE TRAIN DEPARTS.

I know I packed my diary,

30. INT. ZURICH TRAIN STATION-EVENING.

 

GEVA IS FRANTICALLY SEARCHING THE STATION FOR ANGEL.

HE ENTERS THE CAFÉ.

31. INT. ZURICH TRAIN STATION CAFÉ-EVENING.

 

ANGEL IS STILL DRINKING HIS COFFEE AS GEVA ENTERS AND SITS OPPOSITE ANGEL. ANGEL IS A LITTLE SURPRISED.

CUT TO;

32. INT. ZURICH TRAIN STATION-EVENING.

 

THREE LADIES ARE NOW SITTING WITH SIMON AT HIS TABLE. THE TRAIN IS BECOMING BUSIER NOW. SIMON MOVES THE BRIEF CASE OVER TO HIS SIDE. HE SMILES POLITELY AT THE LADIES.

33. INT. TRAIN STATION CAFÉ-EVENING.

 

GEVA LOOKS AT ANGEL SUSPICIOUSLY.

ANGEL

(SUSPICIOUSLY)

Didn’t we already do this?

GEVA

There’s no disc. And no movie on the hard drive. What are you trying to pull?

ANGEL

(SHOCKED)

I saw the film myself.

GEVA OPENS THE BRIEFCASE.

GEVA

(DEMANDING)

Show me!

ANGEL OPENS THE CASE AND IS SURPRISED TO SEE THE LUNCH AND THE DIARY. HE TAKES OUT THE COMPUTER AND IS SURPRSED.

 

ANGEL

 

This isn’t the same computer.

GEVA

What are you talking about?

ANGEL TURNS ON THE COMPUTER. HE NOTICES SOMETHING ON THE CASE

ANGEL

This isn’t the same Brief case either. My brief case was new. I bought it today.

GEVA LOOKS CONFUSED.

Where the hell did you get this?

GEVA THINKS FOR A MINUTE AS ANGEL TURNS ON THE COMPUTER.

GEVA

What the hell?

ANGEL

This is definitely not the same computer. What’s the deal?

PAUSE.

GEVA

Wait a minute, maybe the guy behind me took my case. He put his case down next to mine when we paid.

ANGEL

 

Then you better find him. This is not my problem.

GEVA RISES.

GEVA

You better come with.

ANGEL DOES NOT ANSWER, BUT RISES WITH GEVA.